This early 20th-century oil painting on canvas depicts a riverside landscape with a path leading to a forest in a vibrant autumnal palette of orange, green and blue. It showcases dynamic brushstrokes that echo the movement of nature, combining the river and the trees together. Mounted in an original black wood frame, it’s a great work to add a burst of colour to a wall.

Nico Molenkamp painting Giraffe edition 2/20 (1920-1998) Netherlands.

Nico Molenkamp (1920-1998, Enschede) frames his subjects in a special, almost cinematic way.

As if a cameraman zooms in on his subject and magnifies it.

The viewer gets the feeling of being right next to the subject.

Its is characterized by striking, tonal color schemes.

We see carefully balanced shades, unexpected accents and shades and bold contrasts.

His themes are the circus, the fair, the theater, often painted ‘flat’. And many animals.
This piece has an attribution mark,
I am sure that it is completely authentic and take full responsibility for any authenticity
issues arising from misattribution

An original 1958 watercolour painting, edmund blampied rba re, old court house, st aubin, jersey.edmund blampied rba re (1886–1966) is one of the most significant artists to have hailed from the channel islands. Born on a farm at ville brée in the parish of st martin on jersey, he became an internationally renowned illustrator and etcher, but his deep connection with the island of jersey and its rural landscapes remained a constant throughout his career. In this delightful, spirited watercolour blampied paints a view looking across the south pier towards the old court house and merchants houses at st aubin, jersey, the town where he lived at his death in 1966.dating from 1958, towards the end of the artist’s life, this watercolour is a personal subject on an intimate scale, but it displays the artist’s virtuoso line and understanding of colour that brought blampied such acclaim as a commercial illustrator and made him one of the finest original printmakers of his generation. Whilst much of blampied’s print work is monochrome, in his use of colour he typically achieves a sense of the overall patterning of the whole, evoking the scene rather distinctly delineating it: here the rainbow tones merge almost as if light viewed through a prism. Briefer sketches at st aubin and others that show a similar use of colour can be viewed at the jersey archive collection.in graphite and watercolour wash.presented in an antique wood and gesso gilt frame by jersey framemaker j.h. Blight, 2 bath street, st helier.frame size: 25.3 x 27.8cm. Image size: 12 x 14.5cm.all artworks come with a certificate of authenticity. Signed: signed lower right. Inscribed: inscribed verso and on framing label. Dated: dated verso. Height: 25.3cm (10″) width: 27.8cm (10.9″) condition: overall in good conditions for its age. Slight age toning to the paper. Minor hairline cracks and evidence of repair to the frame mouldings. Please see photos for detail. Presented: unframed.

Beautiful painting by Kees Verwey Flower Still Life Signed (1900-1995) Haarlem.

This is a beautiful work by Kees Verwey, signed and numbered 50/100.

The Haarlem painter Kees Verwey, best known for his watercolors, was a student of J.H.Jurres.

He painted and watercolored almost exclusively floral portraits and still lifes from his studio, which was famous for its enchanting chaos.

Verwey regarded his style as a continuation of the Hague School and the Amsterdam Impressionists who did everything in the medium of the Impressionists.

However, he combined this impressionism with the colorful expressionism of the moderns. This piece has an attribution mark,
I am sure that it is completely authentic and take full responsibility for any authenticity
issues arising from misattribution

A beautiful pair of antique Victorian gilt framed oil paintings. These are signed by the well known artist George Jennings, they date from around the late 19th century.

They are beautifully executed, with gorgeous details and colours. They appear to be a matching pair and depict two sides of the same hill. One shows a path through a forest, with people heading off into their village, the other side shows a body of water, buildings across the water and the rolling hills in the distance.

These are beautifully mounted in gilt wood and gesso frames with glass fronts protecting the paintings, so the paintings are in excellent condition, with bright and vibrant colours. The frames just have some minor wear here and there, and have a label on the back from the famous Mayfair based Leicester Galleries, Audley Square, London W1.

Width – 20 inches , 51 cm
Depth – 1.5 inches , 3 cm
Height – 26 inches , 67 cm This piece has an attribution mark,
I am sure that it is completely authentic and take full responsibility for any authenticity
issues arising from misattribution

Antique Oil Painting with Four Saints, Germany ca. 1920s A great antique painting depicting the saints St. Elisabeth, St. Gregorius, St. Nikolaus and St. Barbara. Handpainted with enamel paint in Germany ca. 1920s. Framed behind glass in a wooden painted and gilded frame. Measures: Width: 9.06″ (23 cm) Height: 19.09″ (48.5 cm) Depth: 0.79″ (2 cm)

Clemente Pugliese-Levi, Women with Hay, Oil on Canvas, 1920s, Framed, in Flawless conditions. Designed 1920 to 1949 This piece has an attribution mark,
I am sure that it is completely authentic and take full responsibility for any authenticity
issues arising from misattribution

KLAUDIA LATA (born in 1993)
Graduate of painting at the Academy of Fine Arts in Katowice. Diploma in 2017 in the studio of prof. Ireneusz Walczak. Scholarship holder of the Ministry of Culture and National Heritage (2016/17); Scholarship of the Rector of the Academy of Fine Arts in Katowice (2016/17, 2015/16, 2014/15).
Winner of numerous awards. In 2017, diploma of Lat. P.t. Re-Sublimation was presented at the exhibition Best Diplomas of the Academy of Fine Arts in the Armory of Art in Gdańsk. This piece has an attribution mark,
I am sure that it is completely authentic and take full responsibility for any authenticity
issues arising from misattribution

KLAUDIA LATA (born in 1993)
Graduate of painting at the Academy of Fine Arts in Katowice. Diploma in 2017 in the studio of prof. Ireneusz Walczak. Scholarship holder of the Ministry of Culture and National Heritage (2016/17); Scholarship of the Rector of the Academy of Fine Arts in Katowice (2016/17, 2015/16, 2014/15).
Winner of numerous awards. In 2017, diploma of Lat. P.t. Re-Sublimation was presented at the exhibition Best Diplomas of the Academy of Fine Arts in the Armory of Art in Gdańsk. This piece has an attribution mark,
I am sure that it is completely authentic and take full responsibility for any authenticity
issues arising from misattribution